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The Hero of Currie Road, by Alan Paton
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A classic collection of 20 short stories, the core of which is formed by Alan Paton’s famous first volume of short stories Debbie Go Home (1961), published in the US as Tales from a Troubled Land. The rest of the stories are taken from other sources,10 of them from Paton’s last volume, Knocking on the Door (1975). The collection is prefaced by Paton’s lively interview of himself. Paton himself provides the best description of the collection when he says: ‘… you must put your story first, not your politics or religion or your anger … they inform the story and give it colour and warmth and fire. But they must never usurp the place of the prime motive, which is to tell a story.’ ‘The Hero of Currie Road’, the last story in the collection, was read publicly by Paton in 1970 in Johannesburg and first published in 1972.
- Sales Rank: #3319316 in Books
- Published on: 2009-03-01
- Original language: English
- Number of items: 1
- Dimensions: .80" h x 5.70" w x 8.60" l,
- Binding: Paperback
- 176 pages
About the Author
With the publication in 1948 of his first novel, Cry the Beloved Country, Alan Paton won international acclaim and – with sales of over ten million copies of the book in paperback – could live thereafter by his pen. He wrote four other books and, from his home in Kloof, frequently contributed to the non-racial review Contact and chaired the board of Reality, the monthly journal of liberal opinion. He was leader of the country’s Liberal Party from 1953. He served as principal for 13 years (1935–48) of Diepkloof Reformatory for delinquent African boys, which provides the setting for some of his most memorable of stories.
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"I had never been militantly white, but now I became militantly non-racial. I saw a vision, there is no other word for it."
By Mary Whipple
In "A Deep Experience," a memorable short story from this new (complete) collection of South African writer Alan Paton's short fiction, Paton introduces Edith Rheinallt Jones, an elderly white woman from Johannesburg who worked tirelessly on behalf of the Wayfarers, a Girl Guide organization for non-white children, the Helping Hand Club (a hostel for African girls in Johannesburg), and many other activities, inspiring fierce love and unwavering loyalty among the African people with whom she worked. Driving her to a rural village, Paton found his life changed irrevocably by the warm and honest interactions he observed between Edith and the local people. "I was seeing a vision," he says, "which was never to leave me, illuminating the darkness of the days through which we live now."
Published by Random House of South Africa, The Hero of Currie Road presents two kinds of stories. About half of them are about individual boys under Paton's care at the Reformatory for African boys, where Paton was Principal from 1935 - 1948--sensitive and insightful tales about young teenagers at crossroads, often inspired to lead honorable lives but without the ability, always, to make the right choices. The second group of stories is about the white world, mostly adults, who reflect the ingrained belief in apartheid which has permanently limited the attitudes, aspirations, and achievements of the native majority population. Together these stories show Alan Paton in his most personal, most revealing moments, in which he frankly states opinions that he cannot make in his novels.
Many of these stories show the effects of exclusion on children, and Paton often reveals the paternal feelings he has for the reformatory's youngest boys, in particular, bemoaning the fact that these ten- or eleven-year-olds don't belong in a reformatory with boys who are in their late teens. In "Ha'penny,"a powerfully moving story, an orphan makes up stories about his "family," in order to be like other children. In "The Divided House," young Jacky, always in trouble, suddenly experiences a religious conversion, spending long hours in prayer and reflection, his determination to become a priest interrupted only by sessions of dagga, a wild cannabis. "Death of a Totsi" tells of an inmate's terrible fears of a gang to which he no longer belongs.
The exclusion theme, pervasive throughout South Africa at the time, continues into the "white" stories. In "Debbie Go Home," he shows a family in which a mother wants her black daughter to attend the black debutante ball. Her husband and son object, believing they should not "lick the hand that whips us." In "The Magistrate's Daughter," a young white boy, the son of a blacksmith, befriends the son of a magistrate, playing tennis with him all summer, until it comes time for a summer dance, a turning point. In "Life for a Life," the harshest of the stories, an innocent man falls victim to white vengeance which is rampant. "Injustice" takes on new meanings. As Paton shares his personal meditations, he shows himself to be deeply sensitive to the critical issues of his day, and his ability to reveal characters and their essential humanity from all walks of life makes this collection--and his powerful legacy--come alive. n Mary Whipple
Cry, the Beloved Country
Too Late The Phalarope
Ah but Your Land Is Beautiful
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