[J612.Ebook] PDF Ebook Reuven Shiloah - the Man Behind the Mossad: Secret Diplomacy in the Creation of Israel, by Haggai Eshed

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Reuven Shiloah - the Man Behind the Mossad: Secret Diplomacy in the Creation of Israel, by Haggai Eshed

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This is the story of Reuven Shiloah - the man who established the Mossad, and laid the foundations for the intelligence community of the State of Israel. The book is based on private archives, and interviews with people who worked closely with Shiloah both in Israel and abroad.

• Sales Rank: #3341485 in Books
• Brand: Brand: Routledge
• Published on: 1997-04-03
• Released on: 1997-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.13" h x .90" w x 6.14" l, 1.45 pounds
• Binding: Paperback
• 384 pages

Features

• Used Book in Good Condition

Language Notes
Text: English (translation)
Original Language: Hebrew

Most helpful customer reviews

10 of 10 people found the following review helpful.
Nation building through intelligence and secret diplomacy.
By A Customer
At the time when political, military and religius forces are active in the middle east, an updated version of the book by Haggai Eshed: "REUVEN SHILOAH - THE MAN BEHIND THE MOSSAD - Secret Diplomacy in the Creation of Israel" has been published in English.
The book which was originally published in Hebrew in 1988 tells the story of Reuven Shiloah, the founder of Israel's intelligence community and first head of the world famous MOSSAD.
The personality of Shiloah, who for years worked alongside the Jewish leadership in the pre-state years and during the first ten years after independence has almost been forgotten. Using newly opened and uncovered archives and first time interviews the book describes the exciting and mysterious life of Reuven Shiloah on the backround of some of the major events in the international arena in general and in the middle-east in particular during the years 1931-1959.
Some of the major activities described in the book are:
*Undercover work in Iraq in the 1930's.
*Intelligence ties with the Allies before and during world war 2.
*Paradroping Jewish activistes into occupied Europe.
*Forming and heading Israel's intelligence community after indipendence.
*Conducting secret negoatiations with king Abdallah of Jordan.
*Creating the base for the stratigic ties between Israel and the U.S.
*Forming secret treaties with Turkey, Iran and Ethiopia.
The book was written by the veteran journalist Haggai Eshed who passed away several months after the book was originaly published in 1988. The book is well researched and well written. A few of the issues raised remain unanswerd due to the scarcity of data and still classified documents.
The flowing translation and adaptation by David and Leah Zinder enable readers who are less informed about modern developments in the middle-east to fully comprehend and benefit from the book.
Former Prime Minister of Israel Mr. Shimon Peres, who worked with Shiloah in the early 1950's, has written an introduction to the English edition of the book.
A leading authority on the history of Israel's intelligence community, Prof. Yoav Gelber, has added an after-chapter summarising Reuven Shiloah's contribution to the structuring of Israel's intelligence.
The diverse fields and forms of the activities of Reuven Shiloah, who passed away in 1959 at the age of 49, are relevant to the present. The book is recommended for all those who are interested in the craft of intelligence and secret diplomacy as well as to students of modern middle-east and international affairs.

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[R477.Ebook] Fee Download Violin Playing as I Teach It, by Leopold Auer

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Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

• Published on: 2016-01-25
• Released on: 2016-01-25
• Original language: English
• Dimensions: 10.00" h x .60" w x 7.00" l,
• Binding: Paperback
• 264 pages

From the Back Cover
Leopold Auer (1845–1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz, and Efrem Zimbalist (Sr.) were among Auer's students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history.
This exemplary collection of principles and guidelines was set down by the master after a lifetime of playing and teaching. Auer taught by example, and he directs violin teachers to inculcate the intricacies of execution by means of the violin itself, not simply by verbal instruction. He then devotes the rest of his advice to the violin pupil: how to hold the violin and bow, how to practice, and how to approach such matters of technique as tone production, vibrato, bowing methods including the legato, left-handed technique, double stops, trills, pizzicato, harmonics, and phrasing. In the concluding chapters Auer takes up the more general topics of style, stage fright, changes in the violin repertory, and, of great historical interest, his practical repertory hints―what he gave his own students to play. Many of the book's chapters are illuminated by biographical details and anecdotes about famous musicians whom Auer knew: Davidov, Wieniawski, Seidel, Wilhemj, Sarasate, and von Bulow.
Receiving poor direction at an early age is disastrous for a violinist. As Auer says, "There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin." With this book every beginning violin student will have the benefit of the finest guidance.

Most helpful customer reviews

30 of 32 people found the following review helpful.
Witty, opinionated, and insightful
By Clare Chu
This little gem of a book reads like a tip book, expose, soapbox, gossip column and memoir. Auer is witty and funny, sometimes he had me laughing in stitches. For example, his description of chronic vibrato, "this physical evil generally may be traced to a group of sick or ailing nerves, hitherto undiscovered." Another diatribe on the lack of standards for violin teachers: "Many are indeed desirous of doing their best, but alas, having themselves been ill-taught, they spread the poison of their own ignorance broadcast, a plague which carries off many hapless innocents, victims of their pernicious teaching methods."
Auer was in the position to learn from, observe, and teach some of the best violinists of the last two centuries. He studied with Jacob Dont in Vienna and Joachim in Hanover, was a contemporary of Davidov, Wieniawski, Seidel, Wilhelmj, Sarasate, von Bulow, and taught Elman, Zimbalist, and Jascha Heifetz. Who would have known that Joachim had such stage fright, or that Mischa Elman almost died of coal-gas fumes the night before his debut?
The book has nice tips on fingering, bowing and tone production. He also devotes a chapter to nuance, the soul of interpretation and phrasing and another chapter to Style, where he wisely suggests that each generation interprets the music to suit the style of that era. No one really knows how Bach played baroque music, and no one can claim to be authentic to a time period that has long since passed away. "The musical spirit of Bach transcends all narrow limitations of period, and the artist of today who truly enters into this spirit will play Bach as he should be played, and will play Bach better because he will play him in the interpretative spirit of our own generation, not that of 1720." He deplores the blind upholders of "tradition" and insists that the violinist must form his own style, not just copy that of another.
On the famous shoulder-rest controversy, Auer comes down strictly on the "no-shoulder-rest" school claiming that it makes the player lose a third of the whole body of tone. One look at a picture of Auer playing the violin and you can see why his physique is suited to no-shoulder-rest. He has no neck, a protruding chin, and a squat frame upon which he can rest the violin on his chest, with relatively short arms, so he can hold the instrument directly in front of him. He also insists that you hold the violin as high as possible, especially when playing on the G string. You can see the results with Jascha Heifetz, who holds his violin up high and uses no shoulder rest. Of course, men of those days had padded shoulders on their suits and tuxedos, so the violin fit right up there.
This book is of interest in learning about violin pedagogy as taught in the Russian conservatories at the turn of the last century. And has valuable tips and technical aids. However, it does not substitute for a good teacher. And Auer would wholeheartedly agree, especially for beginners: "There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin."

17 of 18 people found the following review helpful.
Excellent resource for teachers and more advanced student
By taihiong
I find this book invaluable as a resource for serious violin students and teachers. Leopold Auer elaborates a lot of insights and perspectives on better techniques to play the violin. This book is not merely about performing certain violin techniques, but also about the logic behind better ways of executing them.
I would agree, however, that this book is not for beginner level violin students. Auer does say that correct foundation should be built since the early stage, but many of the explanations are beyond the reach of those beginner who can't even produce the techniques way too difficult for their stage; say, vibrato, double-stops, spiccato, etc. However, this is a good resource for violin teachers to lay correct foundation step by step following the progress of their students. Also, this is a good book for more advanced students as a comparative reference on how well they have understood the techniques, at least as another perspective.
Overall, this book is highly recommended for serious students and teachers of violin.

33 of 40 people found the following review helpful.
Over my head
By A Customer
Whereas I'm sure there is no doubting Mr. Auer's ability in playing the violin, as a beginner, I found alot of what he had to say here, irrelevant for my needs. Perhaps I thought that by the word 'teach' in the title, that it would assist, but in fact, it didn't at all. If anything, it made me wonder why I was attempting to start this instrument so late in life!

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[H290.Ebook] Free Ebook The Hero of Currie Road, by Alan Paton

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A classic collection of 20 short stories, the core of which is formed by Alan Paton’s famous first volume of short stories Debbie Go Home (1961), published in the US as Tales from a Troubled Land. The rest of the stories are taken from other sources,10 of them from Paton’s last volume, Knocking on the Door (1975). The collection is prefaced by Paton’s lively interview of himself. Paton himself provides the best description of the collection when he says: ‘… you must put your story first, not your politics or religion or your anger … they inform the story and give it colour and warmth and fire. But they must never usurp the place of the prime motive, which is to tell a story.’ ‘The Hero of Currie Road’, the last story in the collection, was read publicly by Paton in 1970 in Johannesburg and first published in 1972.

• Sales Rank: #3319316 in Books
• Published on: 2009-03-01
• Original language: English
• Number of items: 1
• Dimensions: .80" h x 5.70" w x 8.60" l,
• Binding: Paperback
• 176 pages

About the Author
With the publication in 1948 of his first novel, Cry the Beloved Country, Alan Paton won international acclaim and – with sales of over ten million copies of the book in paperback – could live thereafter by his pen. He wrote four other books and, from his home in Kloof, frequently contributed to the non-racial review Contact and chaired the board of Reality, the monthly journal of liberal opinion. He was leader of the country’s Liberal Party from 1953. He served as principal for 13 years (1935–48) of Diepkloof Reformatory for delinquent African boys, which provides the setting for some of his most memorable of stories.

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1 of 1 people found the following review helpful.
"I had never been militantly white, but now I became militantly non-racial. I saw a vision, there is no other word for it."
By Mary Whipple
In "A Deep Experience," a memorable short story from this new (complete) collection of South African writer Alan Paton's short fiction, Paton introduces Edith Rheinallt Jones, an elderly white woman from Johannesburg who worked tirelessly on behalf of the Wayfarers, a Girl Guide organization for non-white children, the Helping Hand Club (a hostel for African girls in Johannesburg), and many other activities, inspiring fierce love and unwavering loyalty among the African people with whom she worked. Driving her to a rural village, Paton found his life changed irrevocably by the warm and honest interactions he observed between Edith and the local people. "I was seeing a vision," he says, "which was never to leave me, illuminating the darkness of the days through which we live now."

Published by Random House of South Africa, The Hero of Currie Road presents two kinds of stories. About half of them are about individual boys under Paton's care at the Reformatory for African boys, where Paton was Principal from 1935 - 1948--sensitive and insightful tales about young teenagers at crossroads, often inspired to lead honorable lives but without the ability, always, to make the right choices. The second group of stories is about the white world, mostly adults, who reflect the ingrained belief in apartheid which has permanently limited the attitudes, aspirations, and achievements of the native majority population. Together these stories show Alan Paton in his most personal, most revealing moments, in which he frankly states opinions that he cannot make in his novels.

Many of these stories show the effects of exclusion on children, and Paton often reveals the paternal feelings he has for the reformatory's youngest boys, in particular, bemoaning the fact that these ten- or eleven-year-olds don't belong in a reformatory with boys who are in their late teens. In "Ha'penny,"a powerfully moving story, an orphan makes up stories about his "family," in order to be like other children. In "The Divided House," young Jacky, always in trouble, suddenly experiences a religious conversion, spending long hours in prayer and reflection, his determination to become a priest interrupted only by sessions of dagga, a wild cannabis. "Death of a Totsi" tells of an inmate's terrible fears of a gang to which he no longer belongs.

The exclusion theme, pervasive throughout South Africa at the time, continues into the "white" stories. In "Debbie Go Home," he shows a family in which a mother wants her black daughter to attend the black debutante ball. Her husband and son object, believing they should not "lick the hand that whips us." In "The Magistrate's Daughter," a young white boy, the son of a blacksmith, befriends the son of a magistrate, playing tennis with him all summer, until it comes time for a summer dance, a turning point. In "Life for a Life," the harshest of the stories, an innocent man falls victim to white vengeance which is rampant. "Injustice" takes on new meanings. As Paton shares his personal meditations, he shows himself to be deeply sensitive to the critical issues of his day, and his ability to reveal characters and their essential humanity from all walks of life makes this collection--and his powerful legacy--come alive. n Mary Whipple

Cry, the Beloved Country
Too Late The Phalarope
Ah but Your Land Is Beautiful

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L'élégance, la beauté, le bien-être et au final le mieux vivre: voilà ce que propose "L'Art de la simplicité". Inspiré des philosophies orientales, très dans l'air du temps, ce livre a tout pour devenir LE manuel d'art de vivre des femmes des années 2000. Installée au Japon depuis de longues années, Dominique Loreau est imprégnée par le mode de vie de son pays d'adoption. Un mode de vie qui repose sur le principe du "moins pour plus" appliqué à tous les domaines, qu'ils soient matériels (la maison, la mode, la beauté...) ou spirituels (le rapport entre le corps et l'esprit, le bien-être mental). De l'art de vous sentir bien chez vous à celui de vous sentir bien en vous, elle transpose ces préceptes à l'usage des femmes occidentales et leur donne tous les conseils (très concrets) pour faire de la simplicité leur seconde nature.Toutes les astuces pour ne plus céder aux achats compulsifs que vous n'utiliserez ou ne porterez jamais... et n'en être que plus élégante. Tous les trucs pour ne plus se ruiner en produits de soins inefficaces... et ne se sentir que plus belle, mieux dans sa peau. Toutes les approches qui permettent de se sentir bien dans son corps et dans sa tête: mieux avec soi-même, donc mieux avec les autres. Entre essai et guide pratique, réflexion et solutions concrètes, ce livre se révèle un antidote efficace aux tromperies de la société de consommation.

• Sales Rank: #1421206 in Books
• Published on: 2007-01-03
• Original language: French
• Number of items: 1
• Dimensions: .75" h x 7.01" w x 4.96" l,
• Binding: Mass Market Paperback

About the Author
Désireuse de partager sa propre expérience, Dominique Loreau s'est fait une spécialité d'adapter pour les lecteurs occidentaux des ouvrages de développement personnel s'inspirant des philosophies orientales et du mode de vie japonais. Aux Éditions Robert Laffont, elle a publié L'Art de la simplicité (2005), L'Art des Listes (2007) et L'Art de la frugalité et de la volupté (2009).

Most helpful customer reviews

1 of 1 people found the following review helpful.
get to the very essence of your beautiful YOU. This book is a true help in ...
By maria ribeiro
For those who perceive life as a process of on-going perfecting, this book is a precious guide.
It helps you improve and create self-discipline, charisma, renew your soul, see
beyond mainstream filters, get to the very essence of your beautiful YOU.
This book is a true help in times of
distress, too.
I have always seen "simplicité" as a sophistication - only through true enlightenment (spontaneous or worked out) can you achieve it.
Read the book, enjoy it, integrate it.

0 of 0 people found the following review helpful.
Very practical and useful.
By Rose
I'm a a time where i am trying to consume less, live more simply and the book is a simple recipe for that.

0 of 0 people found the following review helpful.
Un très beau livre
By Jane N.
Ce livre est un vrai trésor--profond et facile à comprendre en même temps. Un très beau livre plein d'idées philosophiques et pratiques. Bravo!

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[W750.Ebook] Free PDF Chinese Dress: From the Qing Dynasty to the Present, by Valery Garrett

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Featuring over 450 archival photographs and line drawings, Chinese Dress: From the Qing Dynasty to the Present traces the evolution of Chinese clothing from court and formal costumes to the fashions of modern China. A comprehensive and sumptuously illustrated book, Chinese Dress is the essential reference for costume historians, fashion designers and collectors, as well as lovers of beautiful clothes everywhere. Chapters include:

• Dress of the Qing Manchu Rulers 1644-1911
• Dress of the Manchu Consorts 1644-1911
• Attire of Mandarins and Merchants
• Attire of Chinese Women
• Republican Dress 1912-1949
• Clothing of the Lower Classes
• Clothing for Children
• Dress in New China 1950-2006

From Imperial robes to foot binding to the cheongsam, Chinese Dress spotlights traditional Chinese dress against a background of historical, cultural and social change, opening a fascinating window for anyone seeking to deepen their understanding of China, Chinese culture and Chinese fashion history.

• Sales Rank: #996560 in Books
• Brand: Brand: Tuttle Publishing
• Published on: 2008-01-15
• Released on: 2008-01-15
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 1.00" w x 9.00" l, 3.64 pounds
• Binding: Hardcover
• 240 pages

Features

• Used Book in Good Condition

Review
"Valery Garrett's research on Chinese dress, especially that worn by the local people, has been a constant inspiration to me as a fashion designer in New York." —Vivienne Tam, fashion designer

From the Inside Flap
"Valery Garrett is one of the few scholars working in the field of Chinese costume studies to consider the very real issues of continuity and evolution of the dress of nearly a fifth of the world's population, thus broadening our understanding of this rich, dynamic history". John E Vollmer, author and scholar.

"Valery Garrett's research on Chinese dress, especially that worn by the local people, has been a constant inspiration to me as a fashion designer in New York" Vivienne Tam

"As China becomes ever more important on the world scene, we can expect to find greater Chinese influence on both art and fashion. Valery Garrett's work on the history of Chinese dress will be a significant resource for both scholars and designers." Dr Valerie Steel, Director, Museum at the Fashion Institute of Technology, New York.

"Valery Garrett needs no introduction to students of Chinese dress. Her latest publication embodies the fruits of decades of devoted study in all related fields, assiduous collecting and technical know-how." Dr James Hayes, author and historian.

About the Author
Valery Garrett is a respected authority on Chinese dress from the Qing dynasty to the present day. She lectures frequently, and has served as a consultant for museums and collections around the world. Her personal collection of Chinese dress has been exhibited at the Victoria & Albert Museum, London, as well as in museums in Hong Kong, Macau, Canada, and Australia.

Most helpful customer reviews

1 of 1 people found the following review helpful.
A work of art
By Dr. David Yee
Marvelous in its breadth and scope, Valery Garrett regals the reader with over three hundred years of Chinese dress and its historical context. Evident is the author's passion for the beautiful garments worn in China's last dynasty to the present. This phenomenal book is a welcome addition to scholars and collectors alike and should be required reading for those interested in Chinese art and history.

3 of 3 people found the following review helpful.
Chinese textiles
By Dr. John K. Fong
A comprehensive work on Chinese textiles in the last Dynasty of China and the early 20th Century which is profusely illustrated. It is an excellent book for any collector or person interested in this field.
Highly recommended. This book doesn't repeat information which has been previously published but gives a fresh view.

4 of 4 people found the following review helpful.
Beautiful book
By Crusader70
Generation gaps are a fact of modern life, but nowhere have they been as wide or frequent as in China, where nearly every decade has seen Chinese society remade to an astonishing extent. One area in which these enormous political and social changes can be traced is in clothing: from dragon robes to cheongsams, Mao suits to Yves Saint Laurent, garments tell the story of China's modern history.

Valery Garrett, the author of eight previous books on the subject and a doyenne of the field, is well placed to trace that fascinating evolution. In Chinese Dress: From the Qing Dynasty to the Present, she has produced her magnum opus.

Qing dress was about rank and control: one could gauge exactly where a subject stood in the imperial, civil, military or social hierarchy by a quick and careful study of robe, hat and accessories (designer handbags not yet having been invented). A massive work of regulations and penalties on the subject was promulgated by the Qianlong Emperor to ensure that Manchu customs were not "subsumed and diluted by Chinese ways." Using the first of more than five hundred gorgeous, mostly colour, illustrations, Chinese Dress explains how to "read" such key exemplars of this system as embroidered "dragon robes" and "mandarin squares." A rich resource for the experienced scholar, these chapters will open the eyes of those new to the intricacies of imperial dress in a way akin to first learning characters.

With much talk of cuffs and vamps and hems, a book so specialized runs the risk of glazing the eyes of the sartorially clueless, but the veteran author wisely spices the narrative with both the Chinese history needed to place the fashions in context and many interesting asides. Thus the perennially fascinating practice of footbinding is explored in every disturbing detail: braided ankle covers, hidden heel supports and puttees just part of the paraphernalia required.

The focus of Chinese Dress, however, and where it breaks new ground, is 20th-century fashion and the dramatic political and social changes that shaped its evolution. This second half of the book draws on the author's explorations in '70 and `80s New Territories Hong Kong, and her interest in the dress and culture of ordinary people; the garments and accessories collected during these efforts now reside at the Victoria & Albert Museum.

A short review can only hint at the contents of Chinese Dress. Wedding, military and peasant attire, hats, shoes, jewelry and accessories are all discussed and illustrated in sumptuous detail. Children's wear, with its focus on "locking the child to the earth" and protecting him (too rarely her) from theft by evil spirits is particularly fascinating: so too the culture's elaborate funerary practices.

Chinese Dress is a beautifully presented and accessible work of scholarship that retells the remarkable story of China's modern transformation from a unique perspective.

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[H361.Ebook] Download PDF Lady with a Black Umbrella, by Mary Balogh

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Lady with a Black Umbrella is the digital reissue of a previously published and long out-of-print novel by New York Times bestselling author Mary Balogh.

Giles Fairhaven, Viscount Kincade, does not believe his life can get much worse after his purse is stolen at an inn before he has paid his bill and when he is set upon by three ruffians in the inn yard before he can leave.

But it does grow worse when a little slip of a lady, clad only in a flannel nightgown and wielding a large black man's umbrella, comes to his rescue and puts his assailants to rout and then--after he has left--pays his reckoning at the inn, plus the money he lost the evening before in a card game with a fellow guest, plus what he owed the barmaid with whom he spent the night. The ensuing gossip is almost too much humiliation for Giles to bear.

Yet when he finds and confronts Daisy Morrison in London, far from being cowed by his displeasure, she declares with sunny good nature that if he insists upon repaying the slight favour she was able to do for him, then he can recommend a lady sponsor to her so that she may find a husband for her younger sister among the gentlemen of the ton. Inexplicably, Giles finds himself agreeing. His troubles are only just beginning…

• Sales Rank: #19837 in eBooks
• Published on: 2016-02-08
• Released on: 2016-02-08
• Format: Kindle eBook

Most helpful customer reviews

50 of 51 people found the following review helpful.
One of her best..
By Layla Halabi
The first chapter alone will have you laughing is stitches.. The completely delightful, completely misguided Daisy is used to managing everyone and everything around her. When she sees a man accosted by thugs, she rushes to his rescue, complete with cold cream and nightgown. Her weapon of choice is nothing less than a black umbrella, and to the Viscount's shame, she actually succeeds in driving them off!
The Viscount is proud, handsome, arrogant, and completely eligible. And he's NOT happy with having a slip of a girl rescue him and embarrass him publicly. Daisy wants to set him up with her beautiful and meek sister. But somehow, she finds herself gravitating towards him herself, and to his utter disgust, he finds himself equally gravitating towards her.
This book is for keeps despite being quite short. You'll enjoy the characters and the dialogue. Mary Balogh takes a few historical licenses, but they don't affect the story in any way. Besides, you will enjoy the dialogue and the twists and turns so much; you'll probably not even notice them!

44 of 46 people found the following review helpful.
My favorite Mary Balogh novel
By Carol Mello
I bought a copy of this novel, new, a long time ago in a bookstore. Though new, I remember the book was dreadfully mangled. Pages and the cover were torn and creased. After skimming the first chapter, I bought it anyway. I am so glad. I am reviewing this to boost up its composite rating! Because it truly deserves the highest rating possible.

Daisy is delightful from page 1 to the end. Daisy is a managing but lovable spinster of 25. Those she manages do not always appreciate her efforts on their behalf and sometimes her well meant actions backfire on both herself and those she is trying to help.

For all the trouble she causes, she is a tiny thing with a huge braid of hair coiled like a crown about her head. At her home in the country, she is the queen of all she surveys. She looks younger than her age. She underrates her own beauty. Her family and neighbors know her faults but love her anyways, including her deceased papa who sold his coal mines so Daisy would not try to rescue all the miners after his death.

The novel begins with Daisy and her beloved sister Rose (whom Daisy considers so beautiful, she is wasted in the country) on the road to London for a season for Rose. They have stopped at an inn for the night. In the morning, Daisy is gazing out her window into the stableyard below and spots the handsome Giles, Viscount Kincade, waiting for his carriage. She begins to daydream about the unknown stranger (Giles) romantically rescuing her from a fire when she sees two men begin to beat him up. Then a third joins in, pinning Giles' arms to his sides. Daisy is incensed at the unfair attack. She rushes from her room, barefoot, in her nightgown, with lemon oil on her face (to fade her freckles) and a big black umbrella. She beats off Giles' assailants with the umbrella. Instead of being grateful, Giles' is embarrassed to be rescued by the odd looking madwoman with the umbrella. He beats a hasty retreat. Meanwhile, Daisy discovers that Giles had been robbed of all his money and left debts at the inn. She pays all of his debts, including a barmaid prostitute and a gambling debt.

When Giles sends money back to pay his debts, he discovers that his rescuer, named Daisy Morrison, has paid ALL his debts -- including the embarrassing ones. His brother, Reverend Arthur Fairhaven, thinks the story of Daisy shows her to be a courageous and generous woman. Giles does not agree.

When Daisy arrives in London, she discovers the relatives she meant to stay with and whom she meant to introduce Rose to the ton are out of town for an extended period. Rose wants to return home but Daisy refuses. She hopes to strike up an acquaintance at the hotel they are staying at. One day while walking with Rose in Hyde Park, Daisy espies Giles. Rose begs her to leave but Daisy waves her parasol to catch Giles attention. Rather than make a scene, Giles grimly acknowledges Daisy and asks where she is staying so her can repay her tomorrow for the debts she paid at the inn (and soundly chew her out).

Meanwhile, the mysterious gentleman at the inn who Giles had gambled with, has spread the story of Giles' rescue by Daisy (with all details) about the London gentlemen's clubs. When Giles visits his club he becomes the object of many ribald jests, much to his chagrin. Due to Giles extreme anger, his brother Arthur insists going with Giles to visit Daisy at her hotel to prevent Giles from strangling Daisy. There Arthur meets Rose.

Daisy asks Giles the favor of introducing Rose (and her) to the ton. Giles has no intention of doing so, but his brother Arthur steps in and offers their cousin, Lady Hetty Parkinson, as a sponsor for them.

This is just the first three and one half chapters and does not include the delightful and humorous conversations or thoughts of Giles and Daisy.

I do not see how one can say the end of the book does not live up to the beginning. The last page is laugh out loud funny. Daisy is a delight to the very end and the forebearing Giles has some wonderful lines too, especially the last sentence. Buy it and see if you do not agree with me!

18 of 19 people found the following review helpful.
Desperately wanted to like it more but...
By zonnebloem
After reading reviews, I truly wanted to enjoy this book more. I don't particularly like romance novels with gratuitous sex scenes or make a point of seeking out romance novels in general (have read Kleypas and Courtney Milan on occasion) but I do prefer novels where the main characters grow along with the story/with each other. While sweet and endearing, at times even hilarious, this novel provided little by way of development. The hero spent a little too much time fantasizing about how to best wring the main heroine's neck (dangerously close to Twilight territory here) and not enough time learning to appreciate her for who she was. I found their flirtations light but repetitive, almost bordering on "hit rewind then play" in terms of originality. I found myself paging through unnecessary pages and pages of these meetings between hero and heroine, trying to find the magic of the opening scene (it's hilarious), but ultimately I was unable to keep myself interested for long. I'm giving this novel 3 stars instead of 2 because the premise of it is so interesting I wonder what would've become of the story of she had attempted to rewrite it now. The first meeting between the two main characters is definitely worth reading!

Points in its favor: sweet and no distracting sex scenes; lovable heroine with legitimate virtues and faults (maybe a little too out there for historical accuracy but it's a novel); quick read for filling in some spare time.

Points against: shallow hero with little character development either within himself or the story or with his intended love interest; love between the two characters bordering on unbelievable; I was actually rooting for the heroine to fall in love with the hero's best friend... legit hoping that the author would decide midway that that storyline would be more promising or at the very least more interesting.

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Lady with a Black Umbrella, by Mary Balogh PDF
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Ebook 101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty, Suzette Rosenthal, Isaac Anderson, Jennif

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In 101 Mixed Media Techniques, artists of all backgrounds and skill levels will learn and explore fun, cutting-edge techniques in the exceedingly popular genre of mixed media art. Mixed media enthusiasts will enjoy learning the essential concepts for creating their own mixed media art--whether they are experienced in its approaches or just starting out. 101 Mixed Media Techniques features a wide variety of traditional and eclectic techniques, including drawing and painting techniques, stamping, stitching, using photos, prepping backgrounds, working with wax, using different kinds of inks, collaging, journaling, and working with encaustics. Multiple ways to use each technique are provided to inspire and nurture creative freedom in each artist. Each technique is presented in a step-by-step format, beginning with an overview of the required tools and materials. Instructions are presented in a straightforward, approachable style, so beginning to advanced artists can master them with ease. The engaging and accessible format allows for the option of focusing on one technique at a time or several, catering to the preference of each artist. Readers will not only learn a variety of techniques, but will also discover new ideas and inspiration for using the techniques in their own projects. With so many options to choose from, 101 Mixed Media Techniques has something to offer every type of artist and is sure to inspire new forms of creativity.

• Sales Rank: #102024 in Books
• Published on: 2014-01-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 7.00" l, 1.41 pounds
• Binding: Spiral-bound
• 128 pages

About the Author

Cherril Doty is an artist, writer, and Director of the Sawdust Art Festival's Studio Art Classes in Laguna Beach, California. While she holds a masters degree in counseling psychology, the need to create has called, and Cherril followed her muse to try new forms and search possibilities. Mixed media represents the culmination of the search and is the process by which to achieve still more through teaching and experimentation. Visit www.cherrildoty.com to learn more.

Suzette Rosenthal earned a BA in Art from California State University, Los Angeles. In addition to designing and producing a high-end line of knitwear, Suzette is drawn to collage, using textures and color to create visual interest.

Isaac Anderson is a self-taught artist who's passion for photography has taken him on many journeys as documentary filmmaker. He has spent the last eight years in Southern California experimenting with photography, mixed-media painting and documentary filmmaking. Joe Martino spent many years teaching chemistry, anatomy, and marine biology, but he has always been an artist at heart. He was recently featured as one of Stark County's finest artists in the book Stark ARThology.

Jennifer McCully is a graphic designer who expanded her horizon to include mixed media work. Her creative spirit can be seen on her bold canvases, which feature vibrant and simple objects that are energetic and inspiring. Her childlike creations evoke happiness, and her inspiration is drawn from practically anything. Jennifer is a full-time Etsy seller, operating four different shops.www.jennifermccully.com

Originally from a little beach town in Hawai'i called Kailua, Linda Robertson Womack is a nationallyrecognized artist, art instructor, and the author of Embracing Encaustic: Learning to Paint with Beeswax. She recently introduced a series of online encaustic classes bringing together a community of international artists at www.womackworkshops.com.

www.lindawomack.com

Samantha Kira Harding is an artist by accident, a writer by schooling, and an explorer by birth. Samantha teaches classes on journaling and the artful experiences of daily life, including "True to You," a workshop focusing on every day as fuel for journaling adventures. She has been published in Somerset Studio, Artful Blogging, Art Journaling and Cloth, Paper, Scissors.

www.journalgirl.com

Most helpful customer reviews

87 of 88 people found the following review helpful.
Great, Organized Go-To For Any Artist
By Dar A. Hosta James
At first I thought I might send this book back; there is really not a lot of new material here and if you have a collection of this type of book, as I do, you will see many familiar techniques. It is, admittedly, called "fundamentals" and that is exactly what it is. Its STRENGTHS, however, are its organization (it is all sectioned out in artistic genres), its conciseness (all the directions are straight forward and brief), clear photos that show JUST the technique being taught and the hardback spiral binding for laying the book out on a table. As an artist and a teacher of art workshops, this is an excellent book to go to when looking to try something new but not complicated or create a good lesson quickly and easily.

24 of 24 people found the following review helpful.
Would not recommend it.
By Marion G. Simon
Kinda dissapointed...Not much in it . Not much instruction. Just a glitsy book with photos and not very clear instructions...Would not recommend it...It does not go into very much detail which is what a person expects when they buy a book with"101" in the title. Pictures are pretty.....A little more instruction would have been a great asset to this book....

24 of 25 people found the following review helpful.
fantastic book
By c. diane gibbs
this book is a go-to source for me. I have been able to use it again and again. Actually used it today. it is a terrific resource and folds flat. it is organized really well and it is easy to find what i am looking for. I also learned a lot and really like all the images.

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[V800.Ebook] Ebook 101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty, Suzette Rosenthal, Isaac Anderson, Jennif Doc

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Transition Series: Topics for the Paramedic is designed to act as a transition guide between the 1998 U.S. Department of Transportation’s Emergency Medical Technician-Paramedic National Standard Curriculum and the 2009 Paramedic National EMS Education Standards. Providing a timely, topical continuing education guide, this book provides both and overview of new information found in the Education Standards and the Paramedic level and provides a source of continuing education for practicing Paramedics.

 

• Sales Rank: #998465 in Books
• Published on: 2012-07-16
• Original language: English
• Number of items: 1
• Dimensions: 10.70" h x .70" w x 8.40" l, 2.35 pounds
• Binding: Paperback
• 432 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
disappointed
By Kathryn Steen
I chose to recert my National Registry by exam and tried to use this book to help prepare. The information presented in this book alternately contradicted itself and contradicted other sources that I attempted to use for clarification. There are review questions at the end of each chapter, but the answers are not provided in the book. You have to access the publisher's website to get the answers. You can only do this by typing some sort of security code into the website. I rented the book, so it was not in the original packaging--hence, no security code and I could not get the answers to the review questions. Multiple phone calls to Amazon and to BradyBooks and no one could help. Brady told me that they don't sell/give out the codes separately from the book. What a scam. I miss the days when a book was a self-contained resource and you did not need web support to use it.

0 of 1 people found the following review helpful.
Decent book
By Ronnie
The information in this book seems good but it also seems to be lacking some of the "essential" topics in the NHTSA Transition instructor guidelines. Still yet, I believe I would purchase it again and may purchase some for the EMR, EMT, and Advanced.

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Transition Series: Topics for the Paramedic, by Daniel J. Batsie, Daniel J. Limmer EMT-P, Joseph J. Mistovich PDF
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• Sales Rank: #150213 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2013-07-12
• Original language: English
• Number of items: 1
• Dimensions: 10.87" h x .31" w x 8.50" l, .85 pounds
• Running time: 44 minutes
• Binding: Paperback
• 143 pages

Features

• Used Book in Good Condition

About the Author
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Ventures Level 1 Workbook with Audio CD, by Gretchen Bitterlin, Dennis Johnson, Donna Price, Sylvia Ramirez, K. Lynn Savage PDF
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