Selasa, 23 Februari 2010

[H972.Ebook] PDF Download Waiting for the right time, by Lisa Chartwell

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Waiting for the right time, by Lisa Chartwell

When Lee first sees her new school teacher walk in through the gates she knows they are meant to be together. All she has to do is to convince her teacher of this. Years later she gets a second chance.

  • Sales Rank: #507859 in eBooks
  • Published on: 2015-11-28
  • Released on: 2015-11-28
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good job!
By Mirtha Siblesz
Liked the story line. I was worried at first and age disparity and the student teacher relationship but the author handled the story component (without giving the story away) very well. Job well done!

0 of 0 people found the following review helpful.
Good
By Avid reader 123
Wish book had more about their adult romance rather than so much of the childhood experience. All in all, a good read.

0 of 0 people found the following review helpful.
Wonderful
By Natgem
Oh i loved it, give it a go

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Selasa, 16 Februari 2010

[G502.Ebook] Free Ebook Practical Home Theater: A Guide to Video and Audio Systems (2017 Edition), by Mark Fleischmann

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Practical Home Theater: A Guide to Video and Audio Systems (2017 Edition), by Mark Fleischmann

How can an average person navigate the maze of audio/video technologies in a home theater system? Turn to Mark Fleischmann's Practical Home Theater: A Guide to Video and Audio Systems. The 16th edition has been thoroughly revised and updated for 2017. The ultimate answer book for beginners and intermediate-level readers, it tells you everything you need to know when shopping for big-screen TV and surround sound gear including how to read a spec sheet, how to separate fact from hype, and how to get good value for your money. This year's edition goes into detail on new developments such as Ultra HDTV (4K), HDR picture-quality improvements, the HDR format war, and both Dolby Atmos and DTS: X surround technologies. The book weighs the pros and cons of video display technologies such as LED-backlit LCD, plasma, and projection systems, plus next-generation quantum-dot and OLED displays. It dispels the confusion surrounding such topics as HDTV, 3DTV, smart TV, refresh rates, and exotic screen shapes. It explains the differences between Dolby, DTS, THX, and Audyssey surround technologies and high-resolution audio formats. It covers all formats under the sun including Blu-ray and DVD, DVRs, streaming from a multitude of devices, and wireless connectivity. And it explores often ignored topics such as buying a DTV antenna, power-line accessories, and cables. A richly detailed connections chapter tells how to hook up every component. By knowledgably guiding readers through the briar patch of video and audio, Practical Home Theater has become the standard reference work for home theater buffs. This edition is dated 2017 and will be sold between October 2016 and October 2017. Readers are warned to buy only the latest edition. Future annual editions will continue to track changes in home theater technology.

  • Sales Rank: #99472 in Books
  • Published on: 2016-10-01
  • Original language: English
  • Dimensions: 9.00" h x .64" w x 6.00" l,
  • Binding: Paperback

Review
Fleischmann knows mere mortals are not tech experts and can't afford to spend more for their TV than their car. -- Jonathan Takiff, Philadelphia Daily News For less than the cost of a DVD, it'll remove the power of intimidation from your home theater. -- Kevin Hunt, The Hartford Courant If you've been looking to have all your home theater questions answered in one place, this book will do it. -- Brian C. Fenton, Sound & Vision Mark is well qualified to write about this subject.... An excellent primer for consumers, retailers and manufacturers. -- Steve Smith, This Week In Consumer Electronics You may get to show up the mass-market retailer ... or perhaps hold your own against the specialist retailer. -- Paul Best, The Age (Australia)

About the Author
Mark Fleischmann has been a technology writer and expert on home theater for more than 30 years. Currently Audio Editor of Sound & Vision magazine, formerly Home Theater, he has also served as founding editor-in-chief of etown.com, audio critic of Rolling Stone, senior editor of Video Magazine, and columnist for Audio Video Interiors, Premiere, and The Village Voice. His writing has appeared in Bloomberg Personal, CrutchfieldAdvisor.com, Details, DigitalTrends.com, E-Gear, Entertainment Weekly, The Men's Journal, Newsday, Spin, The Stereophile Guide to Home Theater, The Washington Post, and many other publications.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent resource. Read this before buying home theater products
By T. Burke
Foe anyone wanting to get the most from their planned investment in a current generation home theater system or how to possibly upgrade what they have, I highly recommend this book. The glossary and online links to more information are worth it alone. Especially useful in helping formulate questions intelligently to customer service technicians and to double check the information posted by reviewers on Amazon and elsewhere.

This book is comprehensive and does not over simplify or talk down to the reader. If nothing else to take away learn to review all the inputs and outputs on each component you are considering and what formats they support (Dolby HD or DTS Master Audio) and what connections you need to actually play that.

For example my new SAMSUNG HDTV does not have an HDMI Out to connect to my sound bar and my Blu Ray player only has one HDMI out which must go to the TV. The only option with the available other connections will not send the highest audio format to the soundbar.

I would consider myself an average person who wants to purchase a current generation home theater system. This book will go further than that for more technical oriented people considering really high end components as well.

This book will pay for itself for you.

1 of 1 people found the following review helpful.
Great AV guide for the average family
By Ron
If you have never took the time to really understand the mechanics of home theater you owe it to yourself to read this book. I first bought the 2013 edition of this book and liked it well enough to but this years updated edition. It's understandable and well written and it's current through 2014. This year I also bought Curt Robbins "Home Theater for the Internet Age: 2015 Edition " which really compliments this one by listing recommended product lines for whose looking to buy. Try one or both of these books, reading them is time well spent.

8 of 8 people found the following review helpful.
Got the Home Theater bug? If so, then get this book!
By Kimo
Do you hesitate to go into the home theater dept at Sears or Best Buy because you don't speak or understand the "techno jargon" of home theater gear? Are you afraid to buy home theater equipment because maybe you'll discover later that it was something you didn't really need because you didn't KNOW what the heck you were buying in the first place? If you answered "YES" to one or both of these questions, then you NEED this book! I really like it because the author does a superb job of helping novices understand the complex world of home theater equipment. However, he also provides experienced consumers with more insight into all of the latest developments in the Hi-Def entertainment world such as: How Blu-Ray players interface with new & older AV receivers; Exactly what's the diff between HDMI 1.0, 1.2, 1.3 and why you need to know; What really separates one HDTV different from another, etc., etc. While I've owned a fairly complex home theater system for several years now, and read just about every magazine article I can regarding the subject, I still found this book to be very helpful. So, go ahead and order it today.., you'll be glad you did the next time you go into the home theater dept. at your favorite electronics retailer.

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Sabtu, 13 Februari 2010

[H391.Ebook] Ebook Survival Analysis: A Self-Learning Text, Third Edition (Statistics for Biology and Health), by David G. Kleinbaum, Mitchel Klein

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Survival Analysis: A Self-Learning Text, Third Edition (Statistics for Biology and Health), by David G. Kleinbaum, Mitchel Klein

An excellent introduction for all those coming to the subject for the first time.

New material has been added to the second edition and the original six chapters have been modified.

The previous edition sold 9500 copies world wide since its release in 1996.

Based on numerous courses given by the author to students and researchers in the health sciences and is written with such readers in mind.

Provides a "user-friendly" layout and includes numerous illustrations and exercises.

Written in such a way so as to enable readers learn directly without the assistance of a classroom instructor.

Throughout, there is an emphasis on presenting each new topic backed by real examples of a survival analysis investigation, followed up with thorough analyses of real data sets.

  • Sales Rank: #208455 in Books
  • Brand: Brand: Springer
  • Published on: 2011-08-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.20" h x 1.80" w x 7.40" l, 3.15 pounds
  • Binding: Hardcover
  • 700 pages
Features
  • Used Book in Good Condition

Review

From the book reviews:

“The authors present fundamental and basic ideas and methods of analysis of survival/event-history data from both applications and methodological points of view. … This book is clearly written and well structured for a graduate course as well as for practitioners and consulting statisticians. … There are many good examples in this edition, and more importantly, this new edition offers additional exercises, making it a good candidate for adoption as a textbook.” (Technometrics, August, 2012)

"This text is … an elementary introduction to survival analysis. It is primarily intended for self-study, but it has also proven useful as a basic text in a standard classroom course … . Each chapter starts with an Introduction, an Abbreviated outline, and Objectives, and ends with self tests, exercises and a detailed outline. Solutions to tests and exercises are also provided." (Göran Broström, Zentralblatt MATH, Vol. 1093 (19), 2006)

"The most meaningful accolade that I can give to this text is that it admirably lives up to its title." Journal of the American Statistical Association, September 2006

"Imagine---a statistics textbook that actually explains things in English instead of explaining a topic by bombarding the reader with page-width equations requiring an advanced degree in Math just to read the book. If it weren't for this book, I would be really stuck." (David Britz)

From the Back Cover

This greatly expanded third edition of Survival Analysis- A Self-learning Text provides a highly readable description of state-of-the-art methods of analysis of survival/event-history data. This text is suitable for researchers and statisticians working in the medical and other life sciences as well as statisticians in academia who teach introductory and second-level courses on survival analysis.

The third edition continues to use the unique "lecture-book" format of the first two editions with one new chapter, additional sections and clarifications to several chapters, and a revised computer appendix. The Computer Appendix, with step-by-step instructions for using the computer packages STATA, SAS, and SPSS, is expanded to include the software package R.

David Kleinbaum is Professor of Epidemiology at the Rollins School of Public Health at Emory University, Atlanta, Georgia. Dr. Kleinbaum is internationally known for innovative textbooks and teaching on epidemiological methods, multiple linear regression, logistic regression, and survival analysis. He has provided extensive worldwide short-course training in over 150 short courses on statistical and epidemiological methods. He is also the author of ActivEpi (2002), an interactive computer-based instructional text on fundamentals of epidemiology, which has been used in a variety of educational environments including distance learning.

Mitchel Klein is Research Assistant Professor with a joint appointment in the Department of Environmental and Occupational Health (EOH) and the Department of Epidemiology, also at the Rollins School of Public Health at Emory University. Dr. Klein is also co-author with Dr. Kleinbaum of the second edition of Logistic Regression- A Self-Learning Text (2002). He has regularly taught epidemiologic methods courses at Emory to graduate students in public health and in clinical medicine. He is responsible for the epidemiologic methods training of physicians enrolled in Emory’s Master of Science in Clinical Research Program, and has collaborated with Dr. Kleinbaum both nationally and internationally in teaching several short courses on various topics in epidemiologic methods.

About the Author

David Kleinbaum is Professor of Epidemiology at the Rollins School of Public Health at Emory University, Atlanta, Georgia. Dr. Kleinbaum is internationally known for innovative textbooks and teaching on epidemiological methods, multiple linear regression, logistic regression, and survival analysis. He has provided extensive worldwide short-course training in over 150 short courses on statistical and epidemiological methods. He is also the author of ActivEpi (2002), an interactive computer-based instructional text on fundamentals of epidemiology, which has been used in a variety of educational environments including distance learning.

Mitchel Klein is Research Assistant Professor with a joint appointment in the Department of Environmental and Occupational Health (EOH) and the Department of Epidemiology, also at the Rollins School of Public Health at Emory University. Dr. Klein is also co-author with Dr. Kleinbaum of the second edition of Logistic Regression- A Self-Learning Text (2002). He has regularly taught epidemiologic methods courses at Emory to graduate students in public health and in clinical medicine. He is responsible for the epidemiologic methods training of physicians enrolled in Emory’s Master of Science in Clinical Research Program, and has collaborated with Dr. Kleinbaum both nationally and internationally in teaching several short courses on various topics in epidemiologic methods.

Most helpful customer reviews

13 of 14 people found the following review helpful.
Great for running stat packages, not for understanding what those packages are doing.
By Stephen
My relatively poor review compared to the others has to do with my expectations. My goal was to learn about survival analysis. I have some knowledge of things like multivariate regression, correlation coefficients, and chi squared analysis. I was hoping to learn about more sophisticated techniques.

Instead, the book teaches how to use 3 or 4 computer programs that do these analyses. There is a difference. For example, Chapter 3 talks about the Cox proportional hazards model. It describes, in great detail, the input data and then shows the output given by one of the computer programs that the book uses. In pointing to one of the numbers from the output file, the authors say that it is "approximately a standard normal or Z variable. This Z statistic is known as a Wald Statistic, which is one of two test statistics typically used with ML estimates. The other test statistic, called the likelihood ratio makes use of the log likelihood statistic. The log likelihood statistic is obtained by multiplying the log likelihood in the computer output by -2. " My problem is that the book hasn't defined what a Z statistic is, or how maximum likelihood estimates are determined, and doesn't describe the significance of a log likelihood statistic. All we get is the formula to multiply one of the output values by -2 to get another value. We get no clue what this factor of -2 means.

For me the bottom line is this. The book is very carefully written so that the reader will be able to run several statistical packages and get output files whose numbers can be understood. If that's what you want, this book is perfection itself. However, if you want to understand what those programs are actually doing, you'll need to go elsewhere.

0 of 0 people found the following review helpful.
Very good but not great
By I Teach Typing
This is a very good gentle introduction to survival analysis ... which could be better. Its organization, with one column of text and a column of math/tables/figures on each page, makes it a pleasant read for people who want to learn the material but who do not learn well from math formulas. The column for math includes both straight forward algebra (for the folks who want to see worked problems) as well as fairly advanced formulas (for the others who can read calculus notation). The writing is exceptionally clear and the examples are perfect. The material covered includes the classic methods like Kaplan-Meier and Cox regression as well as more modern techniques like extended Cox with time dependent predictors and Fine and Gray competing risk methods.

The book does have a major flaw. Its coverage of computer software is not good. There is an appendix that covers code but the code is incomplete and was out of date when it was published. There are many graphics and analyses in the body of the book that are not covered in the appendix. I teach with SAS so I can see many places where the authors failed to take advantage of methods that were in place when the book came out and their is no attempt to update the website to point out where the book is now badly out of date. For example the book clearly states that Fine and Gray analysis can't be done with off the shelf software (and SAS has been doing it since around 2013).

So, this is a very good book that could be great if the authors would update it (or the website) to include the code to do all the graphics/analysis using modern software.

4 of 4 people found the following review helpful.
Survival Analysis: A Self-Learning Text
By Deepak Parakkal
I used this book along with an online course on the same topic by Statistics.com. The book is extremely user friendly, my background being that of a physician with knowledge of basic stats and regression analysis, not a background of mathematics or advanced statistics. Plus having worked out examples in the text using codes covering most of the commonly used stats program made it appropriate for a hands-on learning format that I prefer. Thus, it makes one confident to apply the techniques in future projects involving survival analysis.

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Rabu, 10 Februari 2010

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The Art of The Hobbit by J.R.R. Tolkien, by J.R.R. Tolkien



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The Art of The Hobbit by J.R.R. Tolkien, by J.R.R. Tolkien

J.R.R. Tolkien’s complete artwork for The Hobbit, presented for the first time in this edition.

When J.R.R. Tolkien wrote The Hobbit, he was already an accomplished amateur artist, and drew illustrations for his book while it was still in manuscript. The Hobbit as first printed had ten black-and-white pictures, two maps, and binding and dust jacket designs by its author. Later, Tolkien also painted five scenes for color plates, which comprise some of his best work. His illustrations for The Hobbit add an extra dimension to that remarkable book, and have long influenced how readers imagine Bilbo Baggins and his world.

Written and edited by leading Tolkien experts Wayne G. Hammond and Christina Scull, The Art of The Hobbitby J.R.R. Tolkien showcases the complete artwork created by the author for his story—including related pictures, more than one hundred sketches, drawings, paintings, maps, and plans. Some of these images are published here for the first time, others for the first time in color, allowing Tolkien’s Hobbit pictures to be seen completely and more vividly than ever before.

  • Sales Rank: #83490 in Books
  • Published on: 2012-09-18
  • Released on: 2012-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .64" w x 10.00" l, 2.00 pounds
  • Binding: Hardcover
  • 144 pages

From Booklist
As Tolkien fans mark the seventy-fifth anniversary of The Hobbit and await the first film in Peter Jackson’s Hobbit trilogy, following his triumphant Lord of the Rings epic, they can peruse the profoundly imaginative writer’s artwork for his first published novel. Coauthors Wayne G. Hammond and Christina Scull continue their championing of Tolkien’s artistry, launched with J. R. R. Tolkien: Artist & Illustrator (1995), with this handsome and informative showcase for the sketches, plans, drawings, maps, and paintings—many never before published or reproduced in color—that Tolkien created as he refined his vision and readied his manuscript for publication. Readers can see Tolkien clarifying his layout of the village of Hobbiton, based on prehistoric European lake settlements, and creating the dramatic landscapes his characters traverse based on his walking tour through the Swiss Alps. Tolkien’s Hobbit illustrations, Hammond and Scull attest in their consistently intriguing commentary, are “among the finest work he achieved as an artist.” Tolkien’s intimate and inventive handmade creations stand in evocative contrast to cinematic opulence. --Donna Seaman

Review
“A splendid introduction to Tolkien the artist . . . Editors and experts Hammond and Scull walk through the classic book's publication history, providing context for the over 100 pieces of artwork, some never before published, which the author prepared to accompany his account of Bilbo Baggins's adventures.” – Publishers Weekly

From the Inside Flap

J.R.R. Tolkien’s complete artwork for The Hobbit, presented for the first time in celebration of the 75th anniversary

When J.R.R. Tolkien wrote The Hobbit, he was already an accomplished amateur artist, and drew illustrations for his book while it was still in manuscript. The Hobbit as first printed had ten black-and-white pictures, two maps, and binding and dust jacket designs by its author. Later, Tolkien also painted five scenes for color plates, which comprise some of his best work. His illustrations for The Hobbit add an extra dimension to that remarkable book, and have long influenced how readers imagine Bilbo Baggins and his world.

Written and edited by leading Tolkien experts Wayne G. Hammond and Christina Scull, The Art of the Hobbit by J.R.R. Tolkien showcases the complete artwork created by the author for his story—including related pictures, more than one hundred sketches, drawings, paintings, maps, and plans. Some of these images are published here for the first time, others for the first time in color, allowing Tolkien’s Hobbit pictures to be seen completely and more vividly than ever before.

Most helpful customer reviews

41 of 41 people found the following review helpful.
Must-get for any Tolkien fan!
By Wulfstan
Yes, Tolkien wasn't a professional artist, but his art for the Hobbit really works on many levels, and gives the reader a better idea of what Tolkien had in his fertile and amazing imagination when writing The Hobbit.

Much of the art here has never been seen before. Most versions of the Hobbit have no more than a score of Tolkien's illustrations, if that. A lot of this art was recently discovered among the Master's papers, and now has been digitally scanned and included for your viewing pleasure. (Interesting how few books the Professor wrote but how much background stuff he came up with while writing them, eh?).

True, in some cases, we have several versions of the same scene- several preliminary and then the finished piece. But I think that adds to how Tolkien was developing the scenes in his mind while writing.

Ok, now you know what to get for any LotR fan on your X-mas list

24 of 26 people found the following review helpful.
Beautiful!
By Deepa Ramani
Beautiful, beautiful, beautiful, BEAUTIFUL book :). Containing over a 100 never-before-seen illustrations by Tolkeins himself, this was a magical journey into the world created by Tolkeins that I'd imagined as a kid - and it was almost exactly how I'd imagined it based on his descriptions.

15 of 17 people found the following review helpful.
Art of the Hobbit
By denise price
Beautifully done book of Tolkien's drawings for The Hobbit. Slipcover is incredible!!! A must for a Tolkien collector. If you order buy two, one to keep wrapped up and one to use...it will be a collectors item!

See all 75 customer reviews...

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Sabtu, 06 Februari 2010

[G326.Ebook] Free PDF The Joy of Sex: The Ultimate Revised Edition, by Alex Comfort

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The Joy of Sex: The Ultimate Revised Edition, by Alex Comfort

Famous for helping couples discover how sex can be playful, erotic, passionate, exhilarating, and most of all, pleasurable.

The Joy of Sex revolutionized how we experience our sexuality. An international bestseller since it was first published in 1972, Dr. Alex Comfort’s classic work dared to celebrate the joy of human physical intimacy with such authority and candor that a whole generation felt empowered to enjoy sex. Now fully updated, revised, and reillustrated, The Joy of Sex once again sets the standard as the world’s most trusted sex manual.

Substantial revisions from sex expert and relationship psychologist Susan Quilliam include new information on:

• Key scientific discoveries in the fields of psychology, physiology, and sexology
• The Internet and couple-friendly pornography
• The importance of sex to our growth as people and partners
• Maintaining a fulfilling sex life as we get older

Above all, The Joy of Sex emphasizes the importance of happy and healthy sexuality in our lives.

  • Sales Rank: #9901 in Books
  • Brand: Comfort, Alex
  • Published on: 2009-12-29
  • Released on: 2009-12-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.70" l, 2.00 pounds
  • Binding: Paperback
  • 288 pages

Review
“Answers questions no one had in 1972 . . . this time through the eyes of women, too.”
—New York Times

“There’s something to celebrate about the enduring life of so seminal a piece of educational literature.” —NPR

“[Succeeds] in bringing The Joy of Sex up to current standards.”
—The New Yorker

“An old book now has a lot of new tricks.”
—Men’s Health

“A bellwether of human sexuality for decades . . . the new version is better.”
—Washington Post

“Witty, fanciful, and mercifully free of moralizing.”
—Time

“An intelligent sex manual that is serious without being solemn.”
—Desmond Morris, author of People Watching and The Human Sexes: The Natural History of a Man and a Woman


From the Hardcover edition.

About the Author
DR. ALEX COMFORT was one of the world’s leading experts in the field of human sexuality and one of the most versatile authors of the twentieth century. He died in March 2000 at the age of eighty.

SUSAN QUILLIAM is a relationship psychologist and an advice columnist. She writes, broadcasts, and presents internationally on topics surrounding love and sexuality.

Excerpt. © Reprinted by permission. All rights reserved.
On Gourmet Lovemaking
All of us, barring any physical limitations, are able to dance and sing — after a fashion. This, if you think about it, summarizes the justification for learning to make love. Love, in the same way as singing, is something to be taken spontaneously. On the other hand, the difference between Pavlova and the Palais de Danse, or opera and barbershop singing, is much less than the difference between sex as our recent ancestors came to accept it and sex as it can be.
At least we recognize this now (so that instead of worrying if sex is sinful, most people now worry whether they are “getting satisfaction” — one can worry about anything, given the determination). And there are now enough books about the basics; we are largely past the point of people worrying about the nor­mality, possibility, and variety of sexual experience. This book is slightly differ­ent, in that there are now enough people who have those basics and want more depth of understanding, solid ideas, and inspiration.
To draw a parallel, chef-grade cooking doesn’t happen naturally: it starts at the point where people know how to prepare and enjoy food, are curious about it and willing to take trouble preparing it, read recipe hints, and find they are helped by one or two techniques. It’s hard to make mayonnaise by trial and error, for instance. Gourmet sex, as we define it, is the same — the extra one can get from comparing notes, using some imagination, trying way-out or new experi­ences, when one already is making satisfying love and wants to go on from there.
This book will likely attract four sorts of readers. First, there are those who don’t fancy it, find it disturbing, and would rather stay the way they are — these should put it down, accept our apologies, and stay the way they are. Second, there are those who are with the idea, but don’t like our choice of techniques — remember, it’s a menu, not a rulebook.
Third, most people will use our notes as a personal one-couple notebook from which they might get ideas. In this respect we have tried to stay wide open. One of the original aims of this book was to cure the notion, born of non-discussion, that common sex needs are odd or weird; the whole joy of sex-with­love is that there are no rules, so long as you enjoy, and the choice is practically unlimited. We have, however, left out long discussion of very specialized sexual preferences; people who like these know already what they want to try.
The final group of readers are the hardy experimentalists, bent on trying absolutely everything. They too will do best to read this exactly like a cookbook — except that sex is safer in this respect, between lovers, in that you can’t get obese or atherosclerotic on it, or give yourself ulcers. The worst you can get, given sensible safety precautions, is sore, anxious, or disappointed. However, one needs a steady basic diet of quiet, loving, night-and-morning intercourse to stand this experimentation on, simply because, contrary to popular ideas, the more regular sex a couple has, the higher the deliberately contrived peaks — just as the more you cook routinely, the better and the more reliable banquets you can stage.
One specific group of readers deserves special note. If you are disabled in any way, don’t stop reading. A physical disability is not an obstacle to fulfilling sex. In counseling disabled people, one repeatedly finds that the real disability isn’t a mechanical problem but a mistaken idea that there is only one “right” — or enjoyable — way to have sex. The best approach is probably to go through the book with your partner, marking off the things you can do. Then pick some­thing appealing that you think you can’t quite do, and see if there is a strategy you can develop together. Talking to other couples where one partner has a problem similar to yours is another resource.
In sum, the people we are addressing are the adventurous and uninhibited lovers who want to find the limits of their ability to enjoy sex. That means we take some things for granted — having intercourse naked and spending time over it; being able and willing to make it last, up to a whole afternoon on occasion; having privacy; not being scared of things like genital kisses; not being obsessed with one sexual trick to the exclusion of all others; and, of course, loving each other.
As the title implies, this book is about love as well as sex: you don’t get high-quality sex on any other basis — either you love each other before you come to want it, or, if you happen to get it, you love each other because of it, or both. Just as you can’t cook without heat, you can’t make love without feedback. By feedback, we mean the right mixture of stop and go, tough and tender, exertion and affection. This comes by empathy and long mutual knowledge. Anyone who expects to get this in a first attempt with a stranger is an optimist, or a neu­rotic — if they do, it’s what used to be called love at first sight, and isn’t expend­able: “skill,” or variety, is no substitute. Also, one can’t teach tenderness.
The starting point of all lovemaking is close bodily contact; love has been defined as the harmony of two souls, and the contact of two epiderms. At the same time, we might as well plan our menu so that we learn to use the rest of our equipment. That includes our feelings of identity, forcefulness, and so on, and all of our fantasy needs. Luckily, sex behavior in humans is enormously elastic (it has had to be, or we wouldn’t be here), and also nicely geared to help us express most of the needs that society or our upbringing have corked up.
Elaboration in sex is something we need rather specially and it has the advantage that if we really make it work, it makes us more, not less, receptive to each other as people. This is the answer to anyone who thinks that con­scious effort to increase our sex range is “mechanical” or a substitute for real human relationship — we may start that way, but it’s an excellent entry to learning that we are people and relating to each other as such. There may be other places we can learn to express all of ourselves, and do it mutually, but there aren’t many.
Those are the assumptions on which this book is based. Granted this, there are two modes of sex — the duet and the solo — and a good concert alternates between the two. The duet is a cooperative effort aiming at simultaneous orgasm, or at least one orgasm each, and complete, untechnically planned release. This, in fact, needs skill, and can be built up from more calculated “love­play” until doing the right thing for both of you becomes fully automatic. This is the basic sexual meal.
The solo, by contrast, is when one partner is the player and the other the instrument. The aim of the player is to produce results on the other’s pleasure experience as extensive, unexpected, and generally wild as his or her skill allows — to blow them out of themselves. The player doesn’t lose control, though he or she can get wildly excited by what is happening to the other. The instrument does lose control — in fact, with a responsive instrument and a skillful performer, this is the concerto situation — and if it ends in an uncontrollable ensemble, so much the better. All the elements of music and dance are involved — rhythm, mounting tension, tantalization, even forcefulness: “I’m like the executioner,” said the lady in the Persian poem, “but where he inflicts intolerable pain I will only make you die of pleasure.” There is indeed an element of infliction in the solo mode, which is why some lovers dislike it and others overdo it, but no major lovemaking is complete without some solo passages.
The antique idea of the woman as passive and the man as performer used to ensure that he would show off playing solos on her, and early marriage manuals perpetuated this idea. Today, she is herself the soloist par excellence, whether in getting him excited to start with, or in controlling him and showing off all her skills. Solo recitals are not, of course, necessarily separate from intercourse. Apart from leading into it, there are many coital solos — for the woman astride, for example — while mutual masturbation or genital kisses can be fully fledged duets. Solo response can be electrifyingly extreme in the quietest people. Skillfully handled by someone who doesn’t stop for yells of murder but does know when to stop, a woman can get orgasm after orgasm, and a man can be kept hanging just short of climax to the limit of human endurance. The solo-given orgasm, whether from her or from him, is unique — neither bigger nor smaller in either sex than a full duet but different; sharper but not so round. And most people who have experienced both like to alternate them. Trying to say how they differ is a little like describing wine. Differ they do, however, and much depends on cultivating and alternating them.
Top-level enjoyment doesn’t have to be varied, it just often is. In fact, being stuck rigidly with one sex technique usually means anxiety. In this book we have not, for example, focused on coital postures to the exclusion of all else. The common positions are now familiar to most people from writing and pic­tures if not from trial — the more extreme ones, as a rule, should be sponta­neous, but few of them have marked advantages. This explains the apparent emphasis in this book on extras — the “sauces and pickles.” That said, individu­als who, through a knot in their psyche, are obliged to live on sauce and pickle only are unfortunate in missing the most sustaining part of the meal — exclu­sive obsessions in sex are very like living exclusively on horseradish sauce through allergy to beef; fear of horseradish sauce, however, as indigestible, unnecessary, and immature is another hang-up, namely puritanism.
One of the things still missing from the essence of sexual freedom is the unashamed ability to use sex as play. In the past, ideas of maturity were nearly as much to blame as old-style moralisms about what is normal or perverse. We are all immature, and have anxieties and aggressions. Coital play, like dreaming, may be a programmed way of dealing acceptably with these, just as children express their fears and aggressions in games. Adults are unfortunately afraid of playing games, dressing up, and acting scenes. It makes them self-conscious: something horrid might get out. In this regard, bed is the place to play all the games you have ever wanted to play — if adults could become less self-conscious about such “immature” needs, we should have fewer deeply anxious people. If we were able to transmit the sense of play that is essential to a full, enterprising, and healthily immature view of sex between committed people, we would be performing a mitzvah: playfulness is a part of love that could be a major contribution to human happiness.
But still the main dish is loving, un-self-conscious sexual pleasure of all kinds — long, frequent, varied, ending with both parties satisfied, but not so full they can’t face another light course, and another meal in a few hours. The pièce de résistance is good old face-to-face matrimonial, the finishing-off position, with mutual orgasm, and starting with a full day or night of ordinary tenderness. Other ways of making love are special in various ways, and the changes of timbre are infinitely varied — complicated ones are for special occasions, or special uses like holding off an over-quick male orgasm, or are things that, like pepper steak, are stunning once a year but not staples.
There are, after all, only two “rules” in good sex, apart from the obvious one of not doing things that are silly, antisocial, or dangerous. One is: “Don’t do anything you don’t really enjoy,” and the other is: “Find out your partner’s needs and don’t balk at them if you can help it.” In other words, a good giving and taking relationship depends on a compromise (so does going to a show — if you both want the same thing, fine; if not, take turns and don’t let one partner always dictate). This can be easier than it sounds, because unless their partner wants something they find actively off-putting, real lovers get a reward not only from their own satisfaction but also from seeing the other respond and become satisfied. Most wives who don’t like Chinese food will eat it occasionally for the pleasure of seeing a Sinophile husband enjoy it, and vice versa.


From the Hardcover edition.

Most helpful customer reviews

107 of 118 people found the following review helpful.
Joy Then and Now
By Jeanne C. Walker
I owned a copy the original version of "The Joy of Sex." It worked fine for me then. Recently I moved and found the box I had packed it in had broken open. The only book missing was my original 1972 version. Explain that as you will.

I replaced it with "The Joy of Sex: The Ultimate Revised Edition." What an eye-opener in more ways than one: New pictures, actual photographs in addition to the drawings; new language and new topics -- not discussed and indeed not thought of in the original; and this time it includes my female perspective, not just his.

Joy Then has become more enlightening, more usable, and more fun in Joy Now.

74 of 83 people found the following review helpful.
Sex is Timeless
By Sylvia M. Hubbard
I read the first Joy of Sex illegally. I was only twelve and very curious. At a usually romp around the library where I hung out to read romance novels I stumbled into an unmanned resource room and found the book. I found a corner and in five hours I was schooled between the pages in what would be a life changing experience.

I distinctly remember the pictures of women with leg and arm hair and men with back hair. The majority of the pictures of people were all in one race. Yet I looked past all that and read the words that filled my head with knowledge about something my parents or friends knew nothing about.

At that time, I remember, the book didn't mention much about safe sex. I think there was just a little about it there compared to this version where it's not only spoken about for a while but often mentioned throughout the book.

Things have changed and the new Joy of Sex is wonderful.

The new Joy of Sex (revised by a woman - thank the lawd!) brings sex into the twenty-first century the way it should be. With women becoming equaller (I know that's not a word) out the bed, we still crave that take me, thrill me, please me. But we also love that take charge.

We want it all.

I was pleased by the new illustrations and photos, plus the detailed descriptions. This book would make a wonderful anniversary gift and a great new nuptial gift for all couples.

Sylvia Hubbard, Blogger of How to Love A Black Woman

0 of 0 people found the following review helpful.
Five Stars
By Manny T F
The newlyweds will love this

See all 122 customer reviews...

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Jumat, 05 Februari 2010

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A Toute Epreuve, by Paul (Miro) Eluard

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A Toute Epreuve, by Paul (Miro) Eluard

  • Published on: 1984
  • Binding: Unknown Binding

Most helpful customer reviews

7 of 7 people found the following review helpful.
A concise and enjoyable introduction to the Catalan painter
By Christopher Culver
Taschen's "Basic Art" is a series of short, full-colour introductions to various artists that all weigh in at only 96 pages. These are an excellent way to discover painters you don't know about yet, and I've enjoyed working my way through the series. This volume on Joan Miro features a text by Janis Mink.

Mink charts Miro's stylistic evolution in a clear fashion, often mentioning relationships with other artists and writers of the day that influenced his work. The break from realism to fanciful representation is elucidated, and Mink really inspires a passion for deciphering Miro's language of symbols. Nonetheless, I felt that Mink's text had two weakness. The first is that it often makes reference to paintings that, perhaps for reasons of copyright, could not be reproduced within the book. Entries in the "Basic Art" series are usually entirely self-contained, but Mink would force the reader to seek out another introduction to Miro to understand her writing. The second weakness is that Mink does not say anything about Miro's relationship with the Spanish state in the postwar era, something that would surely interest many readers who know of Miro as "the Catalan national painter".

Nonetheless, these are essentially minor quibbles. If you want a quick introduction to Joan Miro, this is a good bet.

1 of 1 people found the following review helpful.
Glad I made this purchase.
By Barry
I like the book and the information. One of those books that are a welcome addition to your Miro library.

0 of 0 people found the following review helpful.
Miro and Eluard - not Eludard!
By wildblueiris
Very much appreciate this affordable, large paperback copy of Miro's and Eluard (not Eludard!) book.

See all 5 customer reviews...

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